A body of analogue work focused on form, intimacy, and the tension between exposure and concealment.

This series with Ariel Anderssen develops over time, moving from formal composition into a more unguarded presence. The work unfolds gradually, revealing deeper layers of intimacy and control.

Working with Ariel Anderssen over an extended period has allowed the images to develop beyond a single session into something more gradual and revealing. What begins with a degree of structure—light, composition, direction—shifts over time into a more responsive exchange, where her presence becomes less mediated and more instinctive.

Ariel’s background in performance, particularly within fetish and BDSM contexts, brings a distinct awareness of the body and its expression. In this work, that language is not staged in the usual sense, but allowed to unfold more quietly. The gestures remain, but they are slowed, observed, and recontextualised. What might otherwise be overt becomes measured; what is typically performed becomes something closer to being inhabited.

The use of analogue cameras and monochrome film plays a central role in that shift. The pace is deliberate, and the visual language draws on an earlier photographic tradition—one concerned with form, contrast, and restraint. Within this framework, the erotic charge is not diminished, but redirected. It sits beneath the surface, emerging through posture, stillness, and attention rather than display.

As the sessions progress, there is a perceptible change in tone. Control gives way to a different kind of openness, and the images begin to reflect that transition. The dynamic moves from collaboration toward something more fluid, where authorship is shared moment by moment. It is within that space that the work becomes most psychologically resonant.

This series engages with elements of fetish imagery, but not as spectacle. Instead, it approaches them as a visual language—one that can be distilled, reduced, and reconsidered. The intention is not to reproduce what is already familiar, but to draw out something quieter and less defined: a state in which eroticism is present, but not resolved.

What is shown here forms part of that progression. The work continues beyond this point, moving further into explicit territory, but always within the same controlled and deliberate framework.